THESE OBJECTS, THOSE MEMORIES
An exploration of the objects brought with, sent back, or left behind by three Zimbabwean female migrants residing in Cape Town.
"These Objects, Those Memories" is a split-screen film focused on material culture, specifically, that of three long-term Zimbabwean female migrants currently residing in Cape Town, South Africa. Through an exploration of the objects brought with them, objects sent back to their homeland, objects left behind and their associated memories; stories of joy, loss, and hopes for a return to Zimbabwe are examined.
Due to the current economic crisis in Zimbabwe, South Africa has become the primary haven for Zimbabweans forced to migrate. This mass migration locates Zimbabwean women as the exception to the male dominated migration numbers in Southern Africa as they account for nearly half of all the Zimbabweans seeking work in South Africa, often leaving behind their children and immediate family members in an attempt to provide a better future for those left behind.
Researcher/Director: Roger Horn
Cinematographer: Roger Horn
Audio Mix: Dylan Ford
Color Correction: Ashika Bracher
Length: 30 min
Country: South Africa
plays in concert with too black to be french?
Too Black to be French? centers the question of how nationalism violently and discriminately aims to trump race, culture, and history to maintain a mirage of sovereignty. As the US media and discourses are struggling to erase the body politic of Native Americans and indigenous peoples protecting water and calling for the closure of the Dakota Access Pipeline, as the San Francisco Forty-Niner’s Colin Rand Kaepernick first amendment right to refuse to pledge allegiance is hit with criticism, how do we exercise the fluidity of our body politics to re-claim self-determination and re-define nationalism?
plays in concert with lili
In a TV studio, a girl named Lili is asked to serve as a ‘China Girl’. China Girls, used in cinema history since the 1920’s, are women with Caucasian skin who are filmed alongside a colour-chart in order to adjust the colours of the film. Their porcelain white skin is used as a reference for the colour grading of camera and printing, ultimately excluding people who do not conform to this implicit norm.
plays in concert with aïssa
Aïssa, a young Congolese immigrant, is controlled by police officers, as she has no papers on her. She claims to be 17 years old, but the police do not believe her and force Aïssa submit to a medical examination. Her future depends on the result of this test, because if it turns out that she is an adult, she will be deported from the French territory.
Roger Horn lectures in Visual Anthropology at the University of Cape Town and Documentary Production and Film Studies at the SAE Institute Cape Town; drawing upon his 18 years of experience across various disciplines and media outlets for inspiration. Additionally, Roger is currently pursuing his PhD in Visual Anthropology where he continues to research and expand upon the material presented in These Objects, Those Memories.